….I did not post the letter, but again and again, night after night, I thought of suicide. It seemed to me that death had marked my family down, right back to those two uncles I had never known, one killed at Ypres and the other at Passchendaele; then my parents. All violent, pointless deaths, lost gambles. I was worse off than even Alison was; she hated life, I hated myself. I had created nothing, I belonged to nothingness, to the néant, and it seemed to me that my own death was the only thing left that I could create; and still, even then, I thought it might accuse everyone who had ever known me. It would validate all my cynicism, it would prove all my solitary selfishness; it would stand, and be remembered, as a final dark victory.
The day before term ended I felt the balance tip. I knew what to do. The gatekeeper at the school had an old twelve-bore, which he had once offered to lend me if I wanted to go shooting in the hills. I went to him and asked him to let me have it. He was delighted and loaded my pocket with cartridges; the pine forests were full of birds.
I walked up a galley behind the school, climbed to a small saddle, and went into the trees. I was soon in shadow. To the north, across the water, the golden mainland still lay in the sun. The air was very light, warm, the sky of an intense luminous blue. A long way away, above me, I could hear the bells of a flock of goats being brought back to the village for the night. I walked for some time. It was like looking for a place to relieve oneself in; I had to be sure I couldn’t be observed. At last I found a rocky hollow.
I put a cartridge in the gun, and sat on the ground, against the stem of a pine tree. All around me blue grape-hyacinths pushed through the pine needles. I reversed the gun and looked down the barrel, into the black o of my nonexistence. I calculated the angle at which I should have to hold my head. I held the barrel against my right eye, turned my head so that the shot would mash like black lightning through the brain and blast the back wall of my skull off. I reached for the trigger — this was all testing, all rehearsing — and found it difficult to reach. In straining forward, I thought I might have to twist my head at the last moment and botch the job, so I searched around and found a dead branch that I could fit between the guard and the trigger. I took the cartridge out and fitted the stick in, and then sat with the gun between my knees, the soles of my shoes on the stick, the right barrel an inch from my eye. There was a click as the hammer fell. It was simple. I reloaded the cartridge.
From the hills behind came the solitary voice of a girl. She must have been bringing down the goats, and she was singing wildly, at the limit of her uninhibited voice, without any recognizable melody, in Turkish-Moslem intervals. It sounded disembodied, of place, not person. I remembered having heard a similar voice, perhaps this same girl’s, singing one day on the hill behind the school. It had drifted down into the classroom, and the boys had begun to giggle. But now it seemed intensely mysterious, welling out of a solitude and suffering that made mine trivial and absurd. It held me under a spell. I sat with the gun across my knees, unable to move while the sound floated down through the evening air. I don’t know how long she sang for, but the sky darkened, the sea paled to a nacreous gray. Over the mountains there were pinkish bars of high cloud in the still strong light from the set sun. All the land and the sea held light, as if light was warmth, and did not fade as soon as the source was removed. But the voice dwindled towards the village; then died into silence.
I raised the gun again until the barrel was pointing at me. The stick projected, waiting for my feet to jerk down. The air was very silent. Many miles away I heard the siren of the Athens boat, approaching the island. But it was like something outside a vacuum. Death was now. I did nothing. I waited. The afterglow, the palest yellow, then a luminous pale green, then a limpid stained-glass blue, held in the sky over the sea of mountains to the west. I waited, I waited, I heard the siren closer, I waited for the will, the black moment, to come to raise my feet and kick down, and I could not. All the time I felt I was being watched, that I was not alone, that I was putting on an act for the benefit of someone, that this action could be done only if it was spontaneous, pure, isolated — and moral. Because more and more it crept through my mind with the chill spring night that I was trying to commit not a moral action, but a fundamentally aesthetic one; to do something that would end my life sensationally, significantly, consistently. It was a Mercutio death I was looking for, not a real one. A death to be remembered, not the true death of a true suicide, the death obliterate.
And the voice; the light; the sky.
It began to grow dark, the siren of the receding Athens boat sounded, and I still sat smoking, with the gun by my side. I re-evaluated myself. I saw that I was from now on, forever, contemptible. I had been, and remained, intensely depressed, but I had also been, and always would be, intensely false; in existentialist terms, unauthentic. I knew I would never kill myself, I knew I would always want to go on living with myself, however hollow I became, however diseased.
I raised the gun and fired it blindly into the sky. The crash shook me. There was an echo, some falling twigs. Then the heavy well of silence.
* * *
“Did you shoot anything?” asked the old man at the gate.
“One shot,” I said. “I missed.”
* * *
Years later I saw the gabbia at Piacenza; a harsh black canary cage strung high up the side of the towering campanile, in which prisoners were left to starve to death and rot in full view of the town below. And looking up at it I remembered that winter in Greece, that gabbia I had constructed for myself out of light, solitude and selfdelusions. To write poetry and to commit suicide, apparently so contradictory, had really been the same, attempts at escape. And my feelings, at the end of that wretched term, were those of a man who knows he is in a cage, exposed to the jeers of all his old ambitions until he dies.
Gonzo 